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MPMelbourne PrecisionPainting

Interior Painting Melbourne

Walls, ceilings, cornices and joinery finished to a furniture standard.

The short answer

A professional interior repaint in Melbourne means the substrate is made flat before any colour goes on: cracks raked and filled, patches sanded level, walls sealed, then two full topcoats rolled wet-edge with hand-cut lines. Most three-bedroom homes take four to seven working days.

Interior painting is judged from thirty centimetres away, under afternoon light, by people who live with it every day. That is the standard we work to: filled and sanded flat, cut lines you could measure with a ruler, and enamel joinery with no brush drag or roller stipple.

Our interior crews work room by room so your home stays liveable. Dust barriers seal the work zone, floors are covered edge to edge, furniture is wrapped or relocated, and every surface is wiped down before we leave for the day.

What every interior painting job includes

  • Full protection of floors, joinery and furnishings
  • Crack raking, filling and flat-sanding of all patched areas
  • Water-based low-VOC enamel to doors, frames and skirtings
  • Two topcoats minimum over tinted sealer on new plaster
  • Cornice, ceiling and feature-wall detail cut by hand

Typical specification: Dulux Wash&Wear ceilings and walls, Aquanamel semi-gloss to joinery, zero-VOC options on request.

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Residential · Commercial · Interior · Exterior

How we prepare

The preparation behind a interior painting that lasts

Preparation is where the money either goes or gets saved, and it is the part you cannot see once the job is finished. This is exactly what happens before colour goes on.

  • 01

    Protection before anything else

    Floors are covered edge to edge, furniture is wrapped or moved to the centre of the room, and doorways are sealed with zip barriers so sanding dust stays in the work zone rather than travelling through the house.

  • 02

    Wash, rake and fill

    Walls are sugar-soaped to remove cooking film and hand oils, settlement cracks are raked open so filler has something to key into, and every patch is built slightly proud then sanded flat rather than feathered thin.

  • 03

    Sand and seal

    Filled areas are flat-sanded to 180 grit and spot-sealed. New plaster gets a full tinted sealer coat so suction is even and the topcoats dry to one consistent sheen instead of a patchwork.

  • 04

    Enamel prep on joinery

    Doors, frames and skirtings are de-glossed, gaps caulked, and nail holes filled with two-part filler where movement is likely. Waterborne enamel is laid off in one direction so there is no brush drag.

Products we specify, and why

  • Walls — washable low-sheen acrylic

    Dulux Wash&Wear or Resene SpaceCote Low Sheen. Both take repeated cleaning around hallways, kids' rooms and kitchens without polishing up a shiny patch.

  • Ceilings — dead flat, high-hide

    A true ceiling flat hides roller lap and plaster undulation under downlights, where a low sheen would telegraph every join.

  • Joinery — waterborne enamel

    Dulux Aquanamel or Resene Lustacryl. They stay white instead of ambering like solvent enamel, and they are low odour so bedrooms are usable the same night.

  • Problem areas — purpose primers

    Stain-blocking primer over water marks and nicotine, adhesion primer over previously oil-painted trim, and mould-resistant systems in bathrooms and laundries.

Workmanship standards

Hold us to these. They are written into every interior painting proposal we issue.

  • Two full topcoats over prepared substrate — never a single coat over a colour change
  • Cut lines hand-brushed straight, no tape shadow or bleed at cornice and skirting
  • Filled areas sanded flat and invisible under raking window light
  • Wet-edge rolling within each wall so there is no lapping or flashing
  • Room re-set and vacuumed at the end of every working day
  • Written seven-year workmanship warranty and a walk-through defect list you sign off

Every interior painting proposal we issue names the products, the number of coats and the preparation steps above, so you can compare it line by line against any other quote.

Request a written specification

Compare the options

Interior paint sheens compared

Sheen decides how washable a surface is and how much it shows imperfection. This is the guide we use when specifying a home room by room.

Interior paint sheens compared
SheenBest used onWashabilityHides imperfection
Flat / ceiling flatCeilings, low-traffic bedroomsLowExcellent
Low sheenMost walls, living areas, bedroomsGoodGood
Matt washableHallways and kids' rooms wanting a flat lookGoodVery good
Semi-glossDoors, skirtings, window framesExcellentPoor
GlossFeature joinery, heritage front doorsExcellentVery poor

Bathrooms and laundries take a low sheen or semi-gloss from a moisture-resistant range regardless of the rest of the house.

Recent projects

Interior Painting we have completed

Each case study documents the condition we started with, the preparation, the products, the colours and the finished result.

Related articles

Read up before you commit

Our Knowledge Centre explains the decisions behind this work in full — costs, products, preparation and the mistakes that cause early failure.

Questions

Interior Painting questions we answer every week

Real questions from Melbourne homeowners, answered the way we answer them at the kitchen table.

Question we have not covered? Send us photos with your enquiry and we will answer it against your actual surfaces, not a general case.

Ask us with photos

Where we work

Interior Painting across Melbourne

Choose your suburb for local detail on housing stock, exposure and typical scope.

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